Sebastião Salgado is a master monochrome storyteller. In his recent work Genesis, Salgado devoted eight years scouring earth’s wild recesses to find, photograph and return from places where life persists out of modern reach.
A bevy of this enterprise is at the Peter Fetterman gallery in Santa Monica, California. Go see it.
In Genesis we find the pristine portrayal of line, shape, form and space. Salgado has devoted his life to the craft of social documentary photography, and reached illuminant heights – Genesis connects us to that primordial place we come from.
In a separate body of work, Salgado photographed this Huli man in the Hademari village. The Huli man is wearing a decorative wig woven with human hair. The hair is the wigman’s own, grown over many months while living in isolation from the rest of the community located in the fertile southern highland province of Papua New Guinea.
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Salgado went as far away as he could from man to compile Genesis, yet that same primordial connection he sought exists in this man’s gaze.
Genesis was never about finding a world not yet ruined by mankind. It’s about the sparkling generativity of life’s comings and goings on Earth, mankind most certainly included.
